best Top 10 Films of 2019
best Top 10 Films of 2019:
A list has been created based on imdb rating.
This year Great movie list. my favorite Ad Astra. Looking for the best movies of 2019:
1. Parasite
2. Marriage Story
3. 1917
4. The Report
5. Little Women
6. Knives Out
7. Ad Astra
9. Hustlers
10. I Lost My Body
10. I Lost My Body
It swooped on me at the end of a year, and I was very happy that a friend and fellow critic brought it to my attention. Jeremy Clappin’s animated film (now available on Netflix) tries a serious hand to regain its owner. While it may sound silly and a little macabre, Clappin actually makes it quite beautiful as we cut back and forth between hand travel on the perilous Parisian streets with the life of the owner of the hand, Naufel (Hakis Faris). What I Lost My Body does so beautifully reflects the chaos and randomness of life while counterpinitively giving us a leap of faith to develop. Instead of trying to control everything, we sometimes have to risk it if we heal, and the way the film reaches that point is surprisingly heartbreaking for a film where the main characters One of the unrelated appendages.
9. Hustlers
I was too late for this party. I hadn’t heard anything about the hustlers out of the Toronto International Film Festival, but didn’t manage to catch the film until a few weeks ago. I am glad that I did so because I do not miss Lorraine Scafaria’s vile, hateful statements of people who treat us as the perpetrators of our country. In the aftermath of the 2008 financial crash, the film is based on the true story of the strippers, who sold their Wall Street clients for tens of thousands of dollars. What these women did could have been illegal, but the hustlers make a good case that the culprit was far from it when you see afflicted rich white people who crash the economy and run away with it. The film is a great look at the intersection of gender and capitalism, which is laid out with the stylish direction of Scaffaria and the outstanding performances of the entire cast.
This won’t be Martin Scorsese’s last film (he’s already filming the killers to be a adaptation of Flower Moon), but it makes for one hell of a swan song, as the autobiography tells the story of mortality in the gangster genre Returns and regrets for. Digital de-aging works better than expected and allows us to follow the lives of teamster and hitman Frank Sheeran (Robert De Niro) as he pits dacoit Russell Bufalino (Joe Pesci) and teamster President Jim Hoff (Al Pacino) Befriends, which turns into a combustible relationship that highlights how inexpensive loyalty Frank has in the world. It is a powerful film that manages to be extremely entertaining despite coming to a painfully tragic conclusion. The Irishman ranks best among Scorsese, and when you look at his filmography he says something.
7. Ad Astra
Brad Pitt gives the best performance of his career in the quiet and devastating ad Astra. James Gray’s film follows an astronaut, proud of his harshness and an emotional detachment working with the mission to send a message to his missing father (Tommy Lee Jones). The sci-fi story is a fascinating meditation on masculinity and loneliness, and how those two often intertwine. This is a film that looks at the abyss, stares at the abyss, and then asks, “Are we doing each other a favor if we’re only here?” Paired with some stunning cinematography through his calm, peaceful approach? Hoyte van Hoytema, Ed Astra is ingrained in your soul and you can’t really let it go. You really don’t want to do either.
6. Knives Out
Ryan Johnson’s brilliant short Vodunit is the funniest film of 2019. The film begins with the suspicious death of mystery writer Harlan Thrombe (Christopher Plummer), but then begins to twist and deepen thanks to the investigation of the charismatic and magnetic Beno Blanc (Daniel). Craig). If we’re lucky, Knife Out will be the debut of a Benoit Blanc franchise, as the character is utterly delightful (their “donut hole” speech is fantastic), but if not, we still get an awesome whodunnaya with something serious. Gone are the social issues in its mind. Also, how knives differ is not only an expletive, but a social critique of cradle bonds tying white, wealthy Americans to regular people, especially migrants. Second, you change the power that you see how philanthropy turns into maleism. The fact that Johnson wraps up in such a delightful package makes the knife out in an amazing sneak attack against the audience.
5. Little Women
After exiting the park, where her first film Lady Bird, Greta Gerwig made an ambitious follow-up with the eighth adaptation of Little Women. Rather than harmonizing with previous versions, Gerwig made a film of that moment, which is never grateful. Instead, he traces the youth and vibrancy of the Sisters of March and their friend Laurie, taking the contextual nature of Louisa May Allott’s novel and restructuring it into a more harmonious and theme-rich outline. Through Jerwig’s version, we can better see the ambitions of the sisters of March, their regrets, their hopes and their shortcomings. It is a beautiful tribute to Alcott’s classic novel that Gerwig manages to make all his
4. The Report
Scott Z Burns’s Torture tells the story behind the report, plays like a journalist thriller devoid of genre clichés and focuses on the importance of accountability. The story of Congressional investigator Daniel Jones (Adam Driver) has all the hints of the system’s story against a man, but take a timely look at the importance of the truth running against political expediency. While new scandals pile up daily in our news cycle, we cannot put the sins of the previous administration (and both Bush and Obama cannot be blamed here for different reasons) into a memory hole. While some people may like to tell us in a post-truth world that only benefits those invested in lies. The report shows why those lies need to be dispensed with.
3. 1917
Films are made to look like they come in the same take, usually like a gimmick, but not the riveting 1917 of Sam Mendes. The one-shot fantasy throws light on the urgency of the story, with two World War I soldiers (George Kayanand Dean-Charles Chapman) racing against time to stop an attack that would take place against their fellow British soldiers Will give rise to carnage. What Mendes and cinematographer Roger Deakins have been able to achieve in 1917 is nothing short of a technological marvel, but it all bears you in favor of these two individuals and bears witness to the brutality and brutality of war. Having a camera that is not locked and that does not provide any compensation in any way is an ideal metaphor for the first mechanized war.
2. Marriage Story
Noah Baumbach has a heart-wrenching and deeply compassionate look at the end of the marriage. Refusing to draw from and favor his own experiences, Baumbuch hurts a painful divorce between Charlie (Adam giving Adam Driver the best performance of the year) and his wife Nicole (the best performance of his career between Scarlett Johansson) Made a painting, and instead of saying who was right or wrong or even tried to get married in the best way, Baumbuch did all this Sector good intentions life Pia- in indulgence, custody battles, litigation, between at the moment, and it comes with all the heart. The story of the wedding is not an easy film to watch, but it is an essential
1. Parasite
Bong Joon-ho’s Dark Satire is not the best film of 2019, but one of the best films of the entire decade. As the imperfections of capitalism become more apparent with each passing day, the parasite draws us to the harsh realities of economic inequality with an inconsistent illustration showing how we are trapped in a system that allows us Denies our humanity in return for existence. Trappings may be nicer than hunter-gatherer systems, but the cost is also much higher.
The entire film is such an astonishing high-wire act of striking a balance between tones, but Bong shows the full mastery of cinema by never losing sight of his characters, their struggles, and the larger themes of his picture. Bong does any good cinematic storyteller and shows us, instead of just making a character a mouthpiece about shortcomings about capitalism. Given where the world is, Parsight will likely be an epically relevant film for years to come.
Honorable Mentions: The Art of Self-Defense, Avengers: Endgame, Blinded by the Light, Fast Color, Ford v Ferrari, The Kid Who Would Be King, The Nightingale, One Cut of the Dead, and Rocketman
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